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I discovered that the university art school I attended after saving enough money from press photography had a couple of Linhof cameras stored away in a closet, marked as terminally damaged by students as there was no local technician capable of or willing to restore them to working order. Graflex Crown Graphic 4″x5″ sheet film field camera for use in the hand or on a tripod. Most of the items in the school’s case were undamaged, luckily. Linhof Technika folding cameras, fantastic if you can afford them and great for studio portraiture
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Having done that, reconsider your desire to work with analog film, processing and printing then choose to do it in 4″x5″ format with a film like Kodak Tri-X.ĭuring the analog era I would have recommended Polaroid’s magnificent Polapan 55 black and white positive/negative film with its 20 ISO print and 12 ISO fine grain negative but ‘Type 55’ is now long gone from the world.
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Set your X100V for shooting Fine JPEG plus Raw, study the customized analog film simulation options shared by websites such as Fuji X Weekly and many others, apply and try them out, treat your JPEGs as if they are colour transparency film, file your raw files for processing later once you begin to make better photographs, and work hard to make the best 10,000 photographs that you can.
![linhof technika iv rangfinder hood linhof technika iv rangfinder hood](https://www.skrototeket.no/wp-content/uploads/2016/05/Linhof-Super-Technika-IV-Camera-Kamera-Skrototeket.no-1-of-33.jpg)
The X100V is probably Fujifilm’s most appropriate camera for street photography if its speed of use matches if not surpasses that of its predecessor, the X100F, with the V’s up-and-down tilting LCD monitor a bonus, if you like that sort of thing. If I were learning photography by myself during the digital era then I would have chosen to do it with Fujifilm cameras due to their excellent analog-style JPEGs, with the Fujifilm X100V being their best effort yet due to its 4K video capability, its apparently much-improved built-in 23mm lens (equivalent to 35mm in 35 sensor format) and its two conversion lenses, giving you a three lens set versatile enough to cover most documentary and portraiture situations.
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An excellent camera system for learning digital photography, the Fujifilm X100V plusįujifilm Fujinon WCL-X100 II Wide-angle Conversion Lens for use on Fujifilm X100 series cameras, making the built-in lens equivalent to 18mm (28mm in 35mm sensor format). I learned photography by myself as a child in an isolated outback town by using pre-paid 35mm Kodachrome 64 colour transparency film then posting it off to the eastern states Kodak photo laboratory, racking up my 10,000 photographs while also working as a part-time press photographer for the local regional newspaper group. The old saying that “your first 10,000 photographs will be your worst” holds true whether you choose analog or digital photography so you may as well expend those 10,000 digitally rather than via analog film and save yourself a whole heap of cash as well as huge chunks processing and printing time and energy. My recommendation to them is to forgo 35mm and 120 roll-film and jump straight into the deep end, 4″x5″ sheet film photography using the Zone System, if they really want to get to grips with the true nature and realities of analog film photography.
![linhof technika iv rangfinder hood linhof technika iv rangfinder hood](https://www.adorama.com/images/Large/lf54.jpg)
Polaroid Polapan 55 black & white instant sheet film, now sadly discontinued. This is almost identical to the version that I owned and that was stolen from a Mayfair share studio in London, though mine was in much better condition.
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A report in late 2020 about yet another Australian university art school choosing to discontinue or downsize its photography course offerings, with students wondering how to access the school’s darkroom and loan equipment got me thinking about how students might best learn photography on their own if needed, specifically analog film photography.